National Repository of Grey Literature 15 records found  1 - 10next  jump to record: Search took 0.00 seconds. 
The Princ and the Gardener
Poljaková, Terézia ; Ryška, Pavel (referee) ; Lungová, Barbora (advisor)
The bachelor's thesis, which is a comic called The Prince and the Gardener, is inspired by the symbolism of transition and research into the queer ecology. Queer Ecology can be understood as a link between queer theory and critical environmentalism. Queer ecology aims to combat any divisions, such as the imaginary boundaries between our body and outside environment, humans and non-human animals, masculine and feminine or life and not life. In this text, my aim is to find and expand the connections of queer theories with the natural sciences as well as with my own work.
"We're here, we're queer, get used to it!" Representation of Particular Isssues of LGBT+ Community in TV Series after 2000
SKALÁK, Pavel
The diploma thesis focuses on selected specific issues that LGBTQ people (lesbians, gays, bisexuals, transsexuals, and other queer people) face due to their different non- heteronormative sexual and gender identities. Attention is paid specifically to issues of discrimination, stereotyping, partnership (marriage vs. registered partnership), parenthood, attributed promiscuity, and HIV / AIDS. The author focuses on fiction series broadcast between 2000 and 2021, which deals with queer topis and includes LGBTQ characters in the main or supporting roles, focusing on ways of depicting these characters and reflecting on selected issues they experience due to their identity. In foreign series such as Glee, Modern Family, Orange Is the New Black, Pose, Tales of the City, Sex Education, The Politician, It's a Sin and in the Czech series Ulice and MOST! the ways in which the series presents LGBTQ characters are analysed, in what discourse they are talked about and what effect these depictions may have on the majority heterosexual cisgender viewer. The thesis also provides an overview of the most common narrative archetypes of LGBTQ characters appearing in media production. These are also supplemented by examples of characters from the series of the last 20 years. Through a critical analysis of selected series and their reception, the author tries to point out the importance of portraying people with different sexual and gender identities and the influence of this television representation on the formation of opinions and attitudes towards LGBTQ people.
The Influence of RuPaul's Drag Race on the Drag Subculture in the Czech Republic
Šlahařová, Eliška ; Reifová, Irena (advisor) ; Vochocová, Lenka (referee)
The master's thesis The Influence of RuPaul's Drag Race on the Drag Subculture in the Czech Republic is concerned with the relationship between the American reality TV show RuPaul's Drag Race and the current state of the Czech drag and travesti scene. The main chosen research method is an ethnographic analysis of a series of interviews with drag and travesti performers. The theoretical part aims to provide the sociocultural context to the theme of this thesis; specifically the introduction to queer theory and an a summary of representation of drag and travesti in the popular culture of 20th and 21st century. Furthermore, it introduces RuPaul's Drag Race as a cultural phenomenon along with its brief history, an outline of its international sociocultural influence and current critiques. Finally, it describes the Czech travesti and drag scene including its historical development, current status and the relations between both scenes. The practical part presents the results of the ethnographic analysis of the 14 interviews conducted with Czech drag and travesti performers, focusing on specific phenomena relating to RuPaul's Drag Race, that are subsequently interpreted within the overarching thematic units. The final chapter applies the findings on the theoretical aparatus presented in the first part of...
The Princ and the Gardener
Poljaková, Terézia ; Ryška, Pavel (referee) ; Lungová, Barbora (advisor)
The bachelor's thesis, which is a comic called The Prince and the Gardener, is inspired by the symbolism of transition and research into the queer ecology. Queer Ecology can be understood as a link between queer theory and critical environmentalism. Queer ecology aims to combat any divisions, such as the imaginary boundaries between our body and outside environment, humans and non-human animals, masculine and feminine or life and not life. In this text, my aim is to find and expand the connections of queer theories with the natural sciences as well as with my own work.
Sexual Identity as Cinematic Subversion: the Discourse of New Queer Cinema
Kajánková, Lucia ; Hanáková, Petra (advisor) ; Bláhová, Jindřiška (referee)
The thesis proposes the New Queer Cinema chapter of film history as a paradigm of queer film's subversive practices. The theoretically and historically focused first part establishes the term queer, expounds its possible applications to film in the realm of queer film studies and in the third chapter critically introduces the 'new wave' of queer film New Queer Cinema. The analytical part assigns queer and its possible functions as its basis for inquiry. It consists of two parts: the first performs the formal-content analysis of the pivotal film Swoon (1992); the final chapter builds on its conclusions and examines the corpus of New Queer Cinema films along four analytical cuts in order to describe how they produce the queer discourse. The final output of the thesis is an open model of prospective approaches to queer film.
A phenomenon of a TV programme 'Q' (Queer) in the Czech Television.
Filičková, Andrea ; Pavlík, Petr (advisor) ; Kiczková, Zuzana (referee)
The basic concept of the thesis is an analysis of a TV programme "Q" broadcasted by the Czech Television. The programme surveys queer subculture not only in the Czech Republic but also abroad, deals with searching for identities across the genders and disrupts conventions stemming from values of the heteronormative society. The programme title refers directly to the concept of queer, which represents a social phenomenon bringing about gender and sexual diversity and plurality. The thesis looks at the genesis of the programme from its origins, to its production, its broadcasting and finally its cancellation and replacing with another format. The motivation and reasons of the production team and the management for carrying the programme through and including it in the broadcast programming is discussed here, as well as the related decision-making processes and production mechanisms or the way the authors use feminist theories and gender aspects in the programme. The thesis also takes into consideration the long-term development of the programme's ratings. The main working method is qualitative research in the form of semi-structured interviews with the programme's authors. In terms of media production the thesis deals with organizational practices in the programme's production.
Shakespeare's Drama and Homosexuality
Mašková, Barbora ; Znojemská, Helena (advisor) ; Nováková, Soňa (referee)
Slowly developing since the 1980's, queer theory became a very important sphere of gender studies of the end of the 20th century and affected not only the very perception of gender categories, but also intepretations of these in texts. The thesis concentrates on queering of the dramatic works of William Shakespeare, describing relations which can be broadly characterized as homosexual - romantic or sexual attraction between members of the same sex, including homoerotic or homosocial aspect of these relationships. After establishing the textual grounds for these readings the text goes on to describe various stagings in theatre, television and film of Anglophone and Czech origin. In order to achieve representative illustration of the problem the established division of Shakespeare's drama is maintained, dividing the plays into three categories - comedies, tragedies and historical plays. One play of each of these categories is then discussed further. These are The Merchant of Venice for comedies, Othello for tragedies, and Richard II as a representative of historical plays. In the Merchant of Venice the discussed relationship is the one of Antonio and Bassanio, examining the possible motivation for Antonio's incredible generosity towards his young friend. The most famous homosexual interpretation of the...
Queer Art in the Czech Republic and Slovakia: Anchoring and Understanding Queer Art
Drtinová, Natálie ; Kolářová, Kateřina (advisor) ; Baslarová, Iva (referee)
This thesis deals with the topic of contemporary Czech and Slovakian queer art scene. It describes the main theoreticians and curators that deal with this topic and their main contributions, both in the form of exhibitions and theoretical texts. This thesis analyses six fundamental group shows of queer art (three installments of the Transgeder Me Project, Coming Soon, Queer Stories and We Will Not Change Our Show) and it defines five main topics that feature in these shows. Those are: historical continuity and archives; trans* from various perspectives; identity categories and visibility; gender and sexual identity; marriage equality and rainbow families.
The role of travesti show in media culture
Provázková, Jana ; Reifová, Irena (advisor) ; Miessler, Jan (referee)
The diploma thesis The Role of Travesty Show in Media Culture is concerned with a question if we can find some similarities between the way how media presents travesty show and the way how people think and talk about this kind of entertainment. As a research method I chose qualitative content analysis and questionnaire. Theoretical part focuses on explanation of technical terms, history of homosexuality, queer culture, queer theory, travesty show and history. In practical part I will create concrete codes from qualitative content analysis and from these codes I will make categories. Part of practical part is also a questionnaire. In the end of this thesis I will compare the codes from qualitative content analysis with the answers from the questionnaire. And based on this comparison I will find out if there exist any similarities between the way how media presents travesty show and the way how people think and talk about this kind of entertainment.

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